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From Standing Ovations to Surprise DJ Sets: Inside the Brooklyn Academy of Music’s 2026 BAM Ball

Robert Wilson and Gabriel Pizzi" width="970" height="646" data-caption='Talib Kweli at the BAM Ball afterparty. <span class="lazyload media-credit">Getty Images for BAM</span>'>

The Brooklyn Academy of Music has never been conventional, and the same is true of its much-anticipated spring benefit gala, the annual BAM Ball. Earlier this week, a culturally clued-in crowd convened in the cavernous Adam E. Max Gathering Space for a monochromatically outfitted evening that moved from cocktails and the step-and-repeat through to a seated dinner and speechifying and finally, the New York premiere of Robert Wilson’s acclaimed Moby Dick—a production that transforms Herman Melville’s saga of obsession and vengeance via tart dialogue and soaring ballads by British singer-songwriter Anna Calvi.

The evening delivered more than its fair share of memorable highlights, among them the tribute to honoree Gabriel Pizzi, who was recognized for his leadership of BAM’s Endowment Trust and was met with a standing ovation. The evening’s most moving moment, however, came when choreographer Lucinda Childs accepted on behalf of late artistic visionary Robert Wilson, recalling in her remarks how Wilson would write thank-you notes to artists and collaborators after attending opening nights. The dinner hour ended with Watermill board chair William Cambell leading gala-goers in a collective chant: “We miss you, Bob. We love you, Bob!”

The guest list was a precise distillation of the BAM universe—intellectually serious, artistically omnivorous and incapable of a dull conversation. Political strategist Huma Abedin, St. Ann’s Warehouse founder Susan Feldman, architect Charles Renfro and producer and philanthropist Fabiola Beracasa Beckman shared the room with Grammy-nominated composer and songwriter Clyde Lawrence, poet and cultural critic Hanif Abdurraqib and interdisciplinary artist Helga Davis. From the theater world came opera director Julie Taymor, choreographers Lucinda Childs and Annie B Parson, director Annie Dorsen, actor and director Paul Lazar and Tony-nominated director, actor and musician Whitney White. The screen contingent was equally well-cast: Severance actor John Turturro, Game of Thrones alumnus Robert Aramayo and comedian and actor Jaboukie Young-White held their own in a space where the competition for most interesting person present was pleasantly stiff. Fashion entrepreneur Cynthia Rowley rounded out this well-heeled crowd.

By the time DJ Miss Hap kicked off the afterparty (where a surprise set from Talib Kweli sent the crowd into a frenzy), the evening had raised over $1.25 million in support of BAM’s mission. Not a bad night’s work.

Carla Shen

Clyde Lawrence

Karen Brooks Hopkins and John Turturro

George Sheldon and Yasuko Noguchi

Jaboukie Young-White

Will Davis, Amy Cassello, Lindsay Pizzi, Hilary Jager and Annie MacRae

Charmaine Warren

James Sheldon and Janel Callon

Elizabeth Holtzman and Tim Sebunya

Emilia Sherifova, Raj Keswani, Kabir Ahuja and Amena Chaudry

Ezra Max, Diane Max and Ros Shinkle

Jake Friedman and Kristen McElwain

Donna Augustin and Cynthia Rowley

Alex Ching, Roni De Toledo, Jim Wilentz, John Buttrick and Nora De Toledo

Serge Laurent and Virginie Bos

Daniel Gortler and Charles Renfro

Huma Abedin and Fabiola Beracasa Beckman

Alex Ching and John Buttrick

William Campbell, Edward Tyler Nahem and Tanya Minhas

Carla Shen and Lindsay Pizzi

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