What qualities make for a great host? During most of Jeff Probst’s run on Survivor, he was a solid one. He maintained a friendly but distanced relationship with most contestants, never sacrificing authority during challenges and tribal councils. In the lead-up to votes, he asked about the players’ experience out there, but also probed for interpersonal tension and got them to reveal feelings they otherwise wouldn’t. Probst was never flashy, but his skills in assessing unspoken tribe dynamics and testing people’s abilities to lie on the spot frequently made for riveting TV.
That Jeff Probst has been gone for a while now. Sometime around the dawn of the New Era in season 41, a change that was once gradual suddenly sped up. The man we see on our screens today is sweeter, less misogynistic, and far more forgiving in almost every scenario. (For one, he just doesn’t get angry at quitters like he used to.) But he has also lost the core seriousness that made him such a grounding force. Jeff has become “Uncle Jeff” (or “Mr. Jeff,” in the words of season 50 contestant Jonathan Young), a vaguely clownish character who loves to be the center of attention. He’s still a legend, of course, so cast members have reverence for the guy, especially the superfan-dominated newer ones. But at tribal council, he’s no longer an interrogator of character dynamics. He’s more interested in chatting about the game itself, especially whatever kooky twist he cooked up on a given week. When he does ask about the actual players, there’s still a stress on familiar personal-growth narratives and “heartwarming” fandom origin stories. For season 50, that mainly entails asking everyone what it means to them to be on season 50, over and over.
In theory, Probst’s shift in personality actually fits with the show’s newer direction. He has occupied his executive-producer role for more than 15 years, and over the last 10 seasons, he’s pushed Survivor in a brighter and more family-friendly direction. That change trickles down to both casting and the edit. In an interview two years ago, Probst claimed he didn’t want to cast villains anymore, as he was “not interested in [the negativity]” and thought the show needed to evolve. From another angle, though, the occasionally sickeningly sweet New Era is exactly the time that the show should have a stern voice at the helm, someone willing to slightly undercut the exuberance of these longtime Survivor obsessives—especially during dry seasons like season 48 and 49, when loyalty-as-strategy reigned supreme and the narrative could’ve used a dose of conflict.
Season 50 has been better than most other New Era ones, and to a degree, Probst has succeeded by leaning on nostalgia. It’s easy to get swept up in the feeling, especially when he allows icons like Cirie Fields and Colby Donaldson the space to speak freely on how this experience has changed them. On a broader level, though, Probst still can’t stop making himself the main character whenever he appears, and it seems like the situation might be worsening.
It’s not just the “comedy” bits, like his nonsensical tribe-swap rap and his impressions of various contestants. You can tell he’s just having some dorky fun in those moments, even if they don’t land with contestants or viewers. Again, though, those failed bits are emblematic of a host who has forgotten who we’re really here to see: the players themselves. And not all of them have gotten the screen time they deserve, especially the female contestants. Every minute he spends using a pre-challenge chat or tribal council as his personal Jeff Probst Variety Show is a minute that could be spent establishing basic plot coherence. (At least once every episode, a player refers to some alliance we’ve never seen established onscreen.)
Probst’s framing of this season’s “In The Hands Of The Fans” theme is also increasingly frustrating. Opinions vary on the creative direction Survivor has taken over the past few years, but many fans would agree that recent seasons have dipped in quality due in part to the prevalence of needless twists, an overabundance of convoluted advantages that entail losing your vote, and the sheer repetitiveness of certain New Era features like the journeys. The season 50 fan votes would theoretically allow the viewership to finally make their voices heard and control the game. But fans really didn’t have much control or even know what they were voting for. Earlier this season, for example, Probst pointed out that fans voted for advantages to have “dynamic power,” a vague enough wording that the producers could run with basically whatever they wanted. “Dynamic” sounds exciting, but so far it mainly just means a bunch more of the same, aside from some Billie Eilish Boomerang Immunity Idols that have either been burned or haven’t paid off yet.
In the last few weeks, Probst has cited the same statistic twice: 63 percent of fans voted for the “I love twists” option. The first time, he used this to explain the “Blood Moon” twist, which was introduced as something “so memorable, so rare it will cause the entire Survivor world to pause and take notice.” Of course, it ended up being yet another split-tribe vote, except with three people going home. That episode felt almost as poor as last month’s widely derided installment with Zac Brown. Would fans have voted for that option if they knew this is what it meant? The same applies to last week’s “Double Duo” twist, one that worked out better mainly because two players went home who kind of needed to (and everyone actually got to vote in one place for once). Even then, Probst couched the twist in the same “blame it on the fans” language, as if to stave off potential criticism because we brought this on ourselves.
Of course, in the end, the host of a show like Survivor is only one small part of it. No season has failed specifically because of Probst’s hosting, really, though his negligence did add to the awfulness of watching Dan Spilo skate by after allegedly sexually harassing Kellee Kim on Island Of The Idols. But there’s something off-putting about the choice to continue hammering the fan theme when fans had no real clue what twist they were choosing. Shortly before the challenge played out in this month’s “The Blood Moon,” Probst spent a minute and a half lovingly listing Applebee’s menu items like his life depended on it. “You wanted big?” he asked. “We’re doing our best.” As this messy, entertaining, disappointing, and emotional season moves into its second half, it seems more and more likely he was telling the truth.
Ben Rosenstock is a contributor to The A.V. Club.