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News Every Day |

Your Days Are Numbered, Cracker Barrel

Photo: Paul Weaver/SOPA Images/LightRocket via Getty Images

Our way of life (eating watery grits while staring at a rusty washboard hung up next to an old Texaco sign) is under attack! Cracker Barrel — the Tennessee-based chain restaurant famous for its kitschy old general-store aesthetic, rocking chairs out front, and convenient placement next to highway off-ramps — has become the latest brand to undergo complete self-immolation in a misguided grasp at streamlined modernity. As a result, it has pretty much pissed off the entire country in the process. Conservatives are up in arms saying that this spells the destruction of traditional (read: straight, white) culture at the hands of corporate woke. Normal people just find the whole brand overhaul ugly and dreary and cheap-looking. Is this moment a rare point of unity or yet another culture-war news cycle?

The backlash began earlier this summer when the chain rolled out its brand-new “refreshed look and feel”: a new flattened, plain logo and disappearance of the “mascot,” an old dude sitting next to a barrel. Far more egregious an affront to the overall guest experience is the drab, sterile gut job on the restaurant’s iconic interior design. As early as May, visitors began posting about the new look. On TikTok, critics immediately honed in on how the interiors looked less inviting, warm, and unique. By redoing Cracker Barrel in the overdone, bland, “modern farmhouse” aesthetic, corporate made the folk icon “look like every other bitch.”

This negative buzz turned into a full-blown national crisis for Cracker Barrel as a company and America at large when CEO Julie Masino went on Good Morning America to answer for her crimes address the controversy. “It’s working. The results affirm that we’re heading in the right direction,” she told Michael Strahan. She said things like, “The feedback’s been overwhelmingly positive that people like what we’re doing,” and, “The buzz is so good,” in a way that seemed divorced from reality. She then insisted that they were keeping the “heart and soul” of the brand alive by doing things “like bringing back ‘Uncle Herschel’s Favorite,’” which is just a breakfast combo. She says this as if “Uncle Herschel” were a beloved, Grimace-type character. But who is Uncle Herschel? Is Uncle Herschel the guy on the old logo? Why would you take Uncle Herschel out back and shoot him and turn around and feed us his eggs? Why, Cracker Barrel?

This interview backfired completely, as it brought more eyeballs to the redesign, turned it into national news, and invited hate and mockery. Soon, Cracker Barrel was trending with uniformly negative mentions.

Even right-wing posters like Charlie Kirk, James Woods, and Donald Trump Jr. honed in on the new logo, calling it white-male erasure and saying this is all the fault of woke, because this CEO “kept a DEI regime” at the company. On YouTube, Matt Walsh and Ben Shapiro tried to pin it on woke, too.

But of course, the “go woke, go broke” contingent is wrong, because sucking all of the flavor out of a nostalgic, affordable, widespread national chain like Cracker Barrel is a rare bipartisan issue. The Governor Gavin Newsom press office account tweeted in its neo-Trumpian house style, comparing the rebrand to “CHEAP VELVEETA,” and the official Democratic Party Twitter account tried to get in on the fun, half-assedly tweeting, “We think the Cracker Barrel rebrand sucks too.”

The backlash has been all over the news ever since. It became a topic of hot debate for ten whole minutes on CNN NewsNight, and CNBC is doing commentary on the “major branding blunder” leading to Cracker Barrel’s stock taking a dive. While MAGA and the media spin their wheels trying to turn this new logo into the next Sydney Sweeney culture war, for a wider swath of the internet, it has done quite the opposite, unifying the rest of us by providing a common enemy.

This Cracker Barrel meme cycle leaves us with one burning question: Will Lana Del Rey cover the best tweet to come out of this whole debacle, “I even gave my life to Christ in their parking lot,” or will Ethel get to it first?

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