You, Me and Tuscany review: Halle Bailey and Regé-Jean Page deliver a radiant, feel-good rom-com
This winter, Heated Rivalry helped audiences get hot and bothered at home. But with cherry blossom season upon us, dare to embrace a romance set under the Tuscan sun. If you need some sunshine, yearning, and romance, go see You, Me & Tuscany, the latest gem from director Kat Coiro.
In 2022, Coiro showed her sincere appreciation for classic romantic comedy with the sublimely satisfying Marry Me, which starred Jennifer Lopez and Owen Wilson in a Notting Hill-like narrative about an average bookish man who woos an international famous woman. Now, Coiro's back to help us fall in love again with another story that pulls heavily from '90s rom-com inspiration. This time, her leading lovers are The Little Mermaid's Halle Bailey and Bridgerton's Regé-Jean Page, who are surrounded by a gaggle of charming, colorful characters.
What's not to love?
You, Me & Tuscany is basically While You Were Sleeping in Italy.
Bear with me. Screenwriter Ryan Engle (Rampage, Beast) and his wife, Kristin Engle, are credited with the story for You, Me & Tuscany, with the former credited as its sole screenwriter. You, Me & Tuscany's credits do not cite the 1995 Sandra Bullock rom-com written by Daniel G. Sullivan and Fredric Lebow as an inspiration. But if you look past the superficial, the comparison between While You Were Sleeping and You, Me & Tuscany is undeniable.
Each film begins with a lonely young woman who dreams of a bigger life. Chicago transit worker Lucy (Bullock), who has no family, dreams of the dashing stranger in the tailored suit who comes to her station every morning and brightens her day by just existing. Aspiring chef Anna (Bailey) once dreamed of traveling to Italy and starting a restaurant with her mom. But the unexpected death of her mother derailed her culinary school education, leaving her scraping by on housesitting gigs in Manhattan. That is, until she meets a "spicy white boy" (as her bestie Claire calls him) named Matteo (Lorenzo de Moor).
Over a sexy night together, Anna learns that Lorenzo owns a Tuscan villa that is "just sitting there." And look, when she decides to use the last of her savings to finally see Tuscany, it's not with the plan of squatting in his abandoned villa. But much like Lucy never imagined her meet-cute with her crush would be on the tracks of a subway as the train came barreling in, life (in rom-coms) comes at you fast. Just go with it.
Naturally, Anna finds a diamond ring in the house, tries it on, and as fate would have, she can't get it off before Matteo's family finds her in his house. So, much like Lucy, she is at the center of a marital misunderstanding: the family of the absent (or comatose) man believes this charming, lonely girl is his fiancée. But the similarities don't stop there! I could run you through the whole plot of both films, to point to how clearly the Engles pulled from Sullivan and Lebow's framework. But crucial to the plot is the brother complication.
In While You Were Sleeping, the comatose crush played by Peter Gallagher begins as the dream, but Lucy soon falls for his slightly cranky, blue-collar brother (Bill Pullman), creating an unusual love triangle. Because how can she be with the man she's actually falling for when he and all his family believes she's engaged to his brother?! Anna ends up in this same tricky predicament, falling for Matteo's "brother/cousin" Michael (Page). The specifics of that relationship will be explained by the pair's TMI-obsessed sister Francesca (a splendidly funny Stella Pecollo). But the key problem is the same: The rom-com heroine's interest shifts from the white-collar, vaguely fuckboy-esque brother to the more gruff and rugged brother with a heart of gold.
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It's a terrific plot that, while seemingly stolen, is gussied up with gorgeous Italian settings of rolling vineyards, rapturous close-ups of delicious local food, and elements of Black culture shared between the leading onscreen lovers. Awe-striking establishing shots of Tuscany prove a perfect backdrop for these beguiling performers to paint their romance, scored by swoony R&B tracks like Mario's "Let Me Love You" and Ari Lennox's "Soft Girl Era."
Halle Bailey and Regé-Jean Page lead a divine ensemble.
Bailey is bubbly and pitch-perfect as a rom-com heroine, exuding the kind of chaotic gumption that could be disastrous in the real world, but is an unlikely path to adventure in this tender genre. In the opening sequence, she's able to strut like a confident fashion icon, only to stumble into physical comedy when the rug of a seemingly perfect life is pulled out from under her by another rom-com diva, My Big Fat Greek Wedding's Nia Vardalos.
For his part, Page cozies back into the enemies-to-lovers dynamic that had Bridgerton fans going mad. As "handsome winemaker" Michael, he is initially brusque and distrustful of the outspoken American, who assumes they have commonality because of their skin color. After a bumpy beginning though, Michael learns they do have a lot in common, like heartache, ambition, and a love of good wine and yearning R&B. Naturally, Anna gushes to her bestie (Aziza Scott) back in New York about this, texting, "Spicy White has a brother that's a BROTHA with a six-pack!"
From a distance, Claire tries to be the real-talking voice of reason, and Scott is lively fun in this small part. In Italy, Anna first befriends a garrulous taxi driver named Lorenzo (Marco Calvani), who, beyond offering good advice, is also always ready with a gourmet Italian sandwich. (Squad goals.) De Moor smoothly shoulders the role of the sexy Italian who could be only a plot device by bringing a spicy mischievousness to Matteo. And the rest of the family are a joy, much like in While You Were Sleeping and My Big Fat Greek Wedding. Matteo and Michael not only have their bawdy, chatty sister, but a chipper cousin (Emanuele Pacca) who loves opera, a hovering mother (Isabella Ferrari), a stern father (Paolo Sassanelli), a pair of serenading uncles, a duo of excitable nieces, and a glaring nonna (Stefania Casini). While each is a sketch of a character, they all bring verve and joy to this mirthful medley.
Coiro's rom-com doesn't just satisfy on the swoon. Sure, she knows how to dress the heroine in chic, fantasy fashion fits, and how to shoot Page for maximum sexual appeal (slo-mo, wet, and shirtless). But beyond that, she fills every role with a dynamic performer who adds flavor to her Italian feast of yearning and love. For instance, Cora (Cocoa Brown) and Prisilla (Vanessa Fraction), a pair of Black friends on a vineyard tour, prove spectacular comic relief in an emotional moment as they riff about edge maintenance and Michael's level of sexiness. Coiro herself gets in on this fun too, offering a cameo where she's a silly tourist absolutely flushed by the undeniable sexual chemistry between Anna and Michael. And, fair.
Which is all to say, You, Me & Tuscany will be loved by rom-com fans for its sincere appreciation of the subgenre. From a familiar framework and a traditionally romantic Tuscan setting, Engle creates a vivid world of love and family that is absolutely enchanting. Coiro brings this fantasy romance to life with a crackling cast and a keen eye for both whimsy and comedy. And Bailey and Page are a sensational match, spinning an enemies-to-lovers tale with passion and panache.
All this makes You, Me & Tuscany a marvelous movie, so beautiful and fun that it demands to be seen in theaters. But hey, sneak in a sandwich, a fancy Italian one if you can. It'll make a perfect pairing.