ALTer Ego delivers a sold-out, high-energy night at the Kia Forum

A sold-out Kia Forum doesn’t always guarantee momentum, but iHeartRadio’s Alter Ego Fest proved to be the rare kind of mini-festival that never once let its foot off the gas.

From the opening moments through the final chords, the night ran on sustained intensity. No slow sets, no cooldowns, just a packed arena moving in lockstep as each band carried the energy forward.

Early in the evening, Cage the Elephant helped establish the communal tone, pausing mid-set to look out over the Forum and tell the crowd, “Have an amazing night with so many talented people.” It felt less like a passing comment and more like a mission statement for what was to come.

That momentum only sharpened with Almost Monday, whose frontman transformed the stage into an acrobatic playground, flipping and sprinting with barely contained excitement. “It’s surreal to be here,” he told the audience, noting that the bands they were sharing the bill with were ones they used to cover in high school. By that point, the Forum was already on its feet — and it would stay that way for the rest of the night.

Midway through the lineup, Good Charlotte delivered one of Alter Ego’s most cathartic moments, marking their first Los Angeles performance in 10 years after a seven-year hiatus. And yes, the hits were played, including “The Anthem,” “Girls & Boys,” and, of course, “Rejects.”

“Thank you to everyone in LA that has supported us throughout our career,” Joel Madden told the crowd, grounding the return in gratitude rather than nostalgia. Later, he joked, “My wife’s gonna ask me if I tried my best, and I’ll have to tell her,” before rallying the entire arena. “So can we do one thing? Even the people in the seats — when I hit this last bar, I wanna see you jump.” When the moment landed, the Forum erupted, a sea of bodies bouncing in unison, seats and floor alike — a striking visual of collective release.

That surge rolled seamlessly into Sublime, whose set balanced humor, looseness, and reverence. Jakob Nowell rolled onto the stage atop a motor scooter and quickly explained why. “I broke my leg at the last festival we played, so we’re making this work,” he laughed while spinning with the scooter, turning the injury into part of the show rather than a setback.

Before launching into one of the band’s earliest radio staples, “Date Rape,” Nowell shifted the tone and asked the Forum for a pause. “We just wanted to once again have a moment of silence for Bob here,” he said, referencing the late Bob Weir from Grateful Dead. He widened the lens further, adding, “Everything here tonight, all of this, it’s all part of a great chain of rock and roll.” After the brief hush, he handed it back to the crowd simply: “Without further ado, this next one is for you guys. Thank you.” From there, the set tipped fully into joyful chaos with “Wrong Way” and “What I Got.” Nowell even brought his dog Melvin onstage, tossing him a tennis ball mid-song as the audience roared.

As the night stretched on, Twenty One Pilots proved that intensity doesn’t have to flatten emotion. “This is a very special day,” Tyler Joseph shared, revealing that the show marked drummer Josh Dun’s first performance as a father. “He used to be our daddy, but now we have to share him,” Joseph joked, drawing laughter before turning reflective. “I know it’s been a long night of music, so thank you for sticking around.” Gratitude became a recurring theme as he acknowledged longtime supporters, including ALT 98.7’s Ted Stryker — “one of the first people to ever play us on the radio” — before wandering deep into the crowd, performing among fans and collapsing the distance between stage and seats.

The closing eruption belonged to Green Day, who arrived with urgency intact. Political barbs woven into “American Idiot” and “Holiday” were met with deafening approval, while spontaneity took center stage during “Know Your Enemy,” when Billie Joe Armstrong pulled a fan onstage to sing the bridge. Later, as phone lights filled the arena, Armstrong looked out over the glowing room and called attention to “this legendary Forum,” sealing the night with a sense of shared history.

Alter Ego succeeded not just because of its stacked lineup, but because every band understood the assignment.

Each set arrived with purpose and urgency, feeding directly into the next without ever letting the room cool. In a sold-out arena built for spectacle, it was a high-voltage surge that never once powered down.

ALTer Ego Fest

When: Saturday, Jan. 17

Where: Kia Forum, 3900 W Manchester Blvd, Inglewood