Heated Rivalry fans, weve got your next must-see MLM romance

Heated Rivalry has audiences hot and bothered and hungry for more. But it'll likely be two years before rival hockey pros Shane Hollander (Hudson Williams) and Ilya Rozanov (Connor Storrie) return with Season 2. So what are we to do until then?

Fans are split on this. Some will tell you to plunge into the source material, Rachel Reid's Game Changer book series, which offers several spicy, hockey-centered MLM novels. Others might suggest Ember & Ice, a Quinn audio erotica drop, which reunites Williams and Storrie as winged fairies yearning for each other. (It debuted so big, the app crashed.)

Still others will recommend the "gay fever dream" that is the Interview with the Vampire TV series, as it shares an enemies-to-lovers plotline and Ilya definitely has his Brat Prince moments. However, as a big fan of the Anne Rice-inspired series, I'll warn that Interview with the Vampire is much more about tragedy and trauma than it is queer joy. So, my top recommendation for those thirsting for more of a Heated Rivalry vibe would be the upcoming A24 offering Pillion.

How do Heated Rivalry and Pillion compare?

An adorably eager Harry Melling stars as Colin, a timid virgin, who falls hard for a BDSM leather daddy named Ray — played by a strapping Alexander Skarsgård. This English romantic drama has earned buzz on the film festival circuit in 2025. In his review out of Cannes, Siddhant Adlakha called it "some of the most entertaining drama and comedy you're likely to see this year."

It's also hot, funny, and moving. But even at a glance, Pillion and Heated Rivalry have some striking similarities. Both Heated Rivalry and Pillion are based on novels; the former Rachel Reid's book of the same name, the latter Adam Mars-Jones's Box Hill. As Heated Rivalry was created by Jacob Tierney and Pillion written and directed by Harry Lighton, both adaptations are not only queer MLM romances with graphic sex scenes, but are also made by gay men.

Beyond that, their plotlines have a lot in common: A dark-haired young man who is very close to his parents falls for a swaggering, macho blonde who seems his polar opposite. To the surprise of others, they become lovers, thanks to the blonde initiating their first sexual encounter and being his new partner's first top. Though their relationship is initially about sex, they will grow to care for each other, leading to an awkward family meal where the blonde gets to know his lover's parents (for better or worse!).

However, from this meet-the-parents point Pillion speeds down a different path. While Colin and Ray won't ride off into the sunset like Shane and Ilya, Pillion is nonetheless a story of queer joy — but also kink.

Pillion offers BDSM kink, yearning, and heart.

Who says BDSM can't be sweet? Often, in the media, the kinks that involve bondage, dominance, discipline, submission, sadism, or masochism are painted with a scandalous brush that regards them as depraved and dangerous. The Fifty Shades trilogy was released with much hand-wringing over a woman surrendering herself to BDSM dominance by a man. House of Hammer, a documentary exposé about Armie Hammer, misrepresented the BDSM community by positing it as a space ripe for misogynistic abuse. And the Hellraiser franchise has been turning BDSM gear and the pleasure/pain dynamic into nightmare fuel since 1987. Occasionally, however, a movie comes along that showcases such kinks without condemnation, instead celebrating the pleasure found in the pain, the joy found in giving in, and the intimacy that can bloom between a dominant and a submissive. Following in the footsteps of such pro-BDSM film as Secretary and Babygirl comes Pillion. But unlike its sisters in kink, this offering has men in the dom and sub roles.

Like Heated Rivalry, Pillion is a tale of opposites attract that is hot, hilarious, and heartwarming. (But first and foremost: hot!) From the very start of Lighton's film, the stark contrast between his lovers is comically clear in how they present themselves to the world.

Their meet-cute is at an English pub, where Colin (Melling, who famously played Dudley Dursley in the Harry Potter movies) is crooning in a tweed hat and pastel-striped blazer, performing as part of a barbershop quartet alongside his dad (Douglas Hodge). It's a wholesome hobby that actually reflects the earnestness of Colin in all things, even his emerging interest in kink. Which is piqued by the tall, strapping blonde called Ray (Skarsgård) who's playing darts in the corner with a gang of rowdy bikers, all snug in leather, metal, and fetish gear.

When Ray makes a move on Colin, he's as shocked and titillated as a blushing Shane was when Ilya got randy in the showers. Unlike Shane Hollander, Colin is out to his family, so he is quick to tell his parents that he has a date with a biker. (They're so supportive that Colin's dad lends him a leather jacket to wear — ill-fitting though it may be!)

Where meeting the parents is the emotional climax of Heated Rivalry, it's the midway point of Ray and Colin's journey. With a firm hand, Ray leads Colin by the dog collar into a dom-sub relationship, demanding the young man be submissive, including cooking, cleaning, dressing to Ray's liking (in leather and metal), and surrendering his body for wrestling foreplay and anal sex.

New to this BDSM scene, Colin is often wide-eyed and awkward, but always consenting. Their first sexual encounter is subversive, sensual, and so fumbling that it's laugh-out-loud funny. Yet Pillion never urges the audience to laugh at Colin. Instead, the deep empathy of Lighton's approach and Melling's vulnerable performance urge us all to imagine ourselves in Colin's shoes. Who among us hasn't had a crush that made us willing to risk looking like a fool? Like Shane, Colin is earnest and vulnerable in his longing and eventually loving of his partner. But unlike Shane, Colin never experiences any shame for his queerness or desires.

Pillion and Heated Rivalry use sex as a tool of self-discovery.

Both romances portray lovers who learn more about themselves through their sexual relationship with each other. Colin's journey, however, is not about coming to terms with being queer. It's about opening himself up to new experiences, and then setting boundaries as he understands what he wants.

For much of the film, he's happy to go along with whatever Ray wants. But as their relationship evolves, Colin doesn't just "yes and" all of Ray's commands, but pushes back, demanding more emotional intimacy. Now, their "cottage" moment is less private, more provocative — involving full frontal nudity and group sex — but still sweet. On a picnic table at a camping retreat, Ray gives in to Colin's need for more romance while meeting his need for BDSM kink. And watching them both thrill in this moment is as exciting as when Ilya says he's going to Shane's cottage.

Pillion won't probe Ray's psyche as deeply as Heated Rivalry does Ilya's. There will be no tragic backstory and little idea of what Ray does outside of Colin. Yet Ray doesn't feel unknowable because of Skarsgård's nuanced performance. While Melling offers a portrait that is so vulnerable you may well blush to see his exposed wanting, Skarsgård seems initially a snarling sex god. But as Ray lets Colin into his home, Skarsgård works a glint of softness and excitement into Ray's aloof demeanor. In these moments of flickering vulnerability, we get a sense of who Ray is outside of his persona as a dom. And surprisingly, it'll be Colin who pushes Ray out of his comfort zone.

Lighton's script bonds us to Colin, urging us to understand the thrill of discovery of kink, the swoon of being under the grip of an astoundingly hot lover, and the trembling fear of not being enough to keep them happy. But it's when Colin brings Ray into his world that a new side of this smoldering dom unlocks. It's a sequence that feels more rom-com than anything in Heated Rivalry, the kind of sequence you could imagine in a Richard Curtis movie, climaxing in a gleeful, affectionate tumble in a public park. And then comes a moment, small and unspoken but definitive. Their relationship will never, can never, be the same.

Alexander Skarsgård dominates in the kinkiest and sweetest movie of the year.

But it's Melling who makes Pillion a marvel. Scenes of Ray's seduction will make the audience swoon, yet it's Melling's dedicated openness that makes Pillion feel authentic instead of like some splashy Hollywood fantasy. This isn't 50 Shades of Gray sleek and glamourous. This is wilder, richer, and infinitely more enthralling. Pillion is not only sexy and exciting, but also funny, poignant, and a shining beacon to all those trembling about letting their freak flag fly. 

Perhaps Ray is how we might wish to seem to a new partner, mysterious and breathtakingly cool. Colin is how we might fear being seen, so earnest that it’s “cringe.” Like Heated Rivalry, these two very different lovers represent mystique and openness. One will draw you in, but you need the other to keep a relationship growing. Whether it's Shane and Ilya or Colin and Ray, this is the lesson of both romances.

This tricky emotional growth is often glossed over in Hollywood sex scenes with a sweeping orchestral score and chaste coverage. Yet, these stories of gay men in love offer nudity, graphic sex, romantic fantasy, and in the end, an earnest, unapologetic reality. The English film and Canadian series are bolder and yet more delicate, and thereby electrifying and life-affirming.

Both these queer relationships begin with a risky hook-up, then grow through chemistry and an embrace of sex and exploration. Through these steamy and ardent romances, Pillion and Heated Rivalry challenge us: What more might we experience and enjoy if we — like the lovers themselves — dared to open ourselves up? 

Heated Rivalry is now on HBO Max. Pillion opens in theaters on Feb. 6.