I Am Giving This Script to Disney So They Can Get Rich Again.
Disney’s owners have discovered that their primary mission is to “entertain and sell tickets,” in the words of CEO Bob Iger. It has taken them a great many years and a few million dollars along the way. In my opinion, it would have been cheaper for them to unfreeze Walt Disney and ask him. Going forward, the company will not be guided by any political agenda. Or so they say.
At the moment they have removed a transgender story from Pixar’s children’s animated series Win or Lose. The person who is most angry about this decision seems to be a former Pixar assistant named Sarah Ligatich, who is transgender and a social activist. After her dismissal, she criticized Disney for prioritizing “making money” instead of changing society, then opened a donation account to survive without a job. It seems Ligatich and Disney have something in common: they both want to make money.
Disney will have to stop introducing its gender, race, sex, feminism, environmentalism, secularism, multiculturalism, and other progressive obsessions if it wants a return to being the family company it once was. In fact, it should stop promoting what they call female empowerment, which consists of convincing girls that they will be happy alone, reaching adulthood surrounded by cats and dildos. Whoever aims for that kind of happiness has a problem and is doomed to dissatisfaction, and the worst possible way out is the one they are choosing: spreading the problem to everyone else.
However, from now on the company has the option of doing something really new and groundbreaking, after countless repetitive releases promoting models of society that do not exist, overrepresenting minorities and, consequently, distancing itself from its real audience. At no cost, I offer Disney the synopsis of a script for a truly avant-garde, daring, unprecedented, and wildly box-office-worthy film.
It is the story of James and Emma, a white boy and a white middle-class girl who meet in college, are sweethearts for three years, get married in the church nearest their home in a sober and familiar Christian ceremony, and begin working from sun up to sun down to pay for their first apartment, which they moved into after the wedding, not before.
James and Emma have six children: James Jr, Oliver, Amelia, Charlotte, Gabriel, Jack, and Ellie, whom they did not expect but whom they welcomed as a nice surprise when they were older, giving her the same or more affection than to all the others, and without a moment’s thought about the possibility of an abortion. To this day, all the children remain the sex they were born — that is, the boys are still boys and the girls are still girls, although at Disney they may not understand how such a thing is possible.
Keeping their reproductive systems intact allowed James and Amelia to marry Nova and Ethan respectively, in an equally sober, familiar, and Christian ceremony, and to bring James, Ethan Jr., and Isabella into the world, three babies who have made happy grandparents out of James and Emma.
Grandparents, children, and grandchildren celebrate Christmas as a family, have a lot of friends always around, are valued at their workplaces, and have instilled in their children a love for family values and a healthy patriotism, respect for the Constitution, courtesy in manners, generosity, sincerity, fortitude, and the like.
The film ends when James, first, and Emma, later, die of old age surrounded by children and grandchildren, who all attend their Christian funerals, and pass on their life stories and values to the littlest ones in the house. A huge queue of friends presented themselves at the church to say their last goodbyes, showing that many people loved and admired them, even though their life was outrageously normal.
You can put the “The End” plate up without including a transgender nun in love with a bishop, without bringing out seven million African Americans in every shot, without the kids in the family having Greta Thunberg posters in the bedroom, and without Emma attending anti-gun ownership rallies. In fact, you can put “The End” without needing to include hardcore sex scenes (even if it’s straight), you can animate it, and you can spare the kids’ drug use, the grandfather’s macho caricature, the job dissatisfaction of the women because of discrimination at work, the non-binary pet dog, and the TikToker daughter who identifies as a bunny and creates trans-species content.
I know it’s a script worth gold, however, the idea is not mine, but G. K. Chesterton’s: “The most extraordinary thing in the world is an ordinary man, his ordinary wife, and his ordinary children.”
Groundbreaking material, Disney. The box office takings will be massive.
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