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Tacita Dean on the pandemic: ‘We had all this free time – and I was useless!’

During lockdown, the artist made this dirty postcard and little else. Now back on track, she talks about her upcoming shows – and feeling baffled by this new ‘we’re all in it together’ Britain

“One is such a disappointment to oneself, workwise,” says Tacita Dean, sadly. This seems faintly mad – Dean is one of Britain’s most celebrated artists, her work dealing with the drift of time; the play of chance; the decaying of things. Three years ago, she filled three London institutions – the National Gallery, the National Portrait Gallery and the Royal Academy – with art, and topped it off with a show at the Fruitmarket, Edinburgh.

My favourite work then was an allusive, elliptical film called Antigone, loosely based on the Theban plays of Sophocles, which excavated her own, Oedipus-like limping gait; the vaporous landscapes of Bodmin Moor and Yosemite; and a heartstopping total eclipse of the sun. Now she’s back with a new installation for the Hepworth Wakefield, currently marking its 10th anniversary. So why on earth is she so disappointed in herself?

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